The Contrite Heart (Timothy Shaw) added to the Shaw Music catalog

This choral prayer is an original setting of William Cowper’s hymn, first published in the Olney Hymns collection. Working through a complex emotional and spiritual journey, the text ultimately points toward healing in God’s providence. The hymn was superscribed with Isaiah 57:15, “For thus says the One who is high and lifted up, who inhabits eternity, whose name is Holy: ‘I dwell in the high and holy place, and also with him who is of a contrite and lowly spirit, to revive the spirit of the lowly, and to revive the heart of the contrite’.”

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Do Not I Love Thee, O My Lord? published by Augsburg Fortress

Augsburg Fortress has published my anthem, “Do Not I Love Thee, O My Lord?” (SATB, a cappella). This is a sensitive, expressive anthem based on the sturdy early American tune DETROIT, perfectly capturing the deeply personal text that seeks to grow in the love for God. The piece also received an Editors’ Choice designation from JW Pepper.

Publishing (MorningStar) update 4.3.20

MorningStar Music will publish my newest Christmas anthem, “Love Came Down at Christmas,” on a picturesque text by Christina Rossetti. The original music is scored for Unison Choir (with an optional descant on the final stanza), Piano, and optional Treble Instrument. This piece is scheduled to be published as part of MorningStar’s Fall 2021 release.

Christ’s Nativity (Peter Hilliard) added to the Shaw Music catalog

From Peter Hilliard comes this dynamic musical offering on a text by 17th-century metaphysical, Welsh poet Henry Vaughan. A simple melody is embellished throughout to underscore images from the text, and a horn obbligato sounds the clarion call (“Awake!”). Invest time rehearsing this breathtaking number with your choir—it is well worth the effort. This piece, for SATB choir and horn, won the 2008 Welcome Christmas Carol Contest. Preview the score and listen to an excellent full-length recording here.

Publishing (Augsburg Fortress) update 2.11.20

Augsburg Fortress will publish my original choral setting of “Jesus Christ the Apple Tree” (Unison or 2-part, keyboard, violin) as part of their Spring 2021 release. “Jesus Christ the Apple Tree” is an anonymous text full of vivid imagery. This original choral setting achieves timbral variety using minimal forces. The anthem is appropriate during Advent and Lent, as well as throughout the year.

Publishing (Choristers Guild) update 2.10.20

Choristers  Guild will publish my setting of “Here Is Love,” scored for 2-part choir, piano, and optional treble instrument. This tender setting of Robert Lowry’s beautiful tune “Here Is Love” may be used throughout the year, for services of dedication and devotion. This is scheduled to be published as part of Choristers Guild’s Spring 2021 release.

Lord Jesus Christ, Life-Giving Bread published by MorningStar Music

MorningStar Music has published my anthem, “Lord Jesus Christ, Life-Giving Bread” (SATB, piano). Set to a graceful original melody, this 19th-century text is reminiscent of Psalm 23. The supportive piano accompaniment complements a nicely varied choral texture. Truly lovely, this anthem is perfect for World Communion Sunday or any time you want a personal response to the Eucharist. The piece also received an Editors’ Choice designation from JW Pepper.

Silent Night, Holy Night (arr. Peter Hilliard) added to the Shaw Music catalog

Indulge in the nostalgia of the holiday season with this beautiful setting of a favorite carol, expertly arranged by Peter Hilliard. Easy to learn, yet full of harmonic and melodic interest, this is sure to become a favorite of choir and audience alike. Program this as the closing number for this year’s Christmas concert or Christmas Eve service. Preview the score and listen to a fine demo recording here.

God Is Our Refuge and Strength (Daniel Barta) added to the Shaw Music catalog

Daniel Barta’s masterful interpretation of Psalm 46:1-4 will leave a lasting impression on all who perform and listen to it. A quiet homophonic section opens the piece, followed by a contrasting middle section, and then the opening theme returns for musical balance. Use this in any service or concert as a musical reflection on the God who is an ever-present help in trouble. Preview the score and listen to a fine demo recording here.