Tune in Thursday, May 7, 7:30 pm, for a Facebook Live Mini-Concert, featuring Noelle Kelly, soprano. Five selections from Timothy Shaw’s new Twelve Songs on Teasdale Poems (composed March-April, 2020), on poems by Sara Teasdale, will be given their premiere performance. This informal program is being sponsored by Proclamation Presbyterian Church (Bryn Mawr, PA), who are hosting similar events every Thursday through June. To view the concert, click here.
A dozen poems by celebrated American poet Sara Teasdale (1884-1933) are given original musical settings in these delightful, tuneful songs for medium voice with piano accompaniment. These short songs were written during March-April 2020, and are ideal for use by singers of all ability levels in recitals, concerts, and private lessons. Poems are selected from: Helen of Troy and Other Poems (1911), Rivers to the Sea (1915), Love Songs (1917), and Flame and Shadow (1920).
Augsburg Fortress has published Timothy Shaw’s anthem, “Do Not I Love Thee, O My Lord?” (SATB, a cappella). This is a sensitive, expressive anthem based on the sturdy early American tune DETROIT, perfectly capturing the deeply personal text that seeks to grow in the love for God. The piece also received an Editors’ Choice designation from JW Pepper.
MorningStar Music will publish Timothy Shaw’s newest Christmas anthem, “Love Came Down at Christmas,” on a picturesque text by Christina Rossetti. The original music is scored for Unison Choir (with an optional descant on the final stanza), Piano, and optional Treble Instrument. This piece is scheduled to be published as part of MorningStar’s Fall 2021 release.
This advanced organ solo, written for a three-manual instrument, is perfect for the concert stage, recitals, and extra special occasions in worship. Daniel Barta provides a piece that is expansive its design and full of emotional depth, and he allows the organist to explore the full range of the instrument’s color combinations. A delight for performer and listener alike, this work is one you will want to perform repeatedly. Preview the score and listen to an excellent full-length recording here.
Written as a birthday gift for a seven-year-old, these seven original tunes for the beginning pianist include words and fingering. Imaginative, idiomatic, and instructive, this collection is perfect as a supplement to any piano method.
- Morning Light
- An Afternoon Stroll
- Nighttime Tales
From Peter Hilliard comes this dynamic musical offering on a text by 17th-century metaphysical, Welsh poet Henry Vaughan. A simple melody is embellished throughout to underscore images from the text, and a horn obbligato sounds the clarion call (“Awake!”). Invest time rehearsing this breathtaking number with your choir—it is well worth the effort. This piece, for SATB choir and horn, won the 2008 Welcome Christmas Carol Contest. Preview the score and listen to an excellent full-length recording here.
Augsburg Fortress will publish Timothy Shaw’s original choral setting of “Jesus Christ the Apple Tree” (Unison or 2-part, keyboard, violin) as part of their Fall 2021 release. “Jesus Christ the Apple Tree” is an anonymous text full of vivid imagery. This original choral setting achieves timbral variety using minimal forces. The anthem is appropriate during Advent and Lent, as well as throughout the year.
Concordia Publishing House has commissioned Timothy Shaw to write a new setting of the hymn tune “Herzlich lieb” (“Lord, Thee I Love with All My Heart”), which will be be included in the forthcoming Piano Prelude Series, volume 5 (tunes beginning with H/I). Building upon the success of Hymn Prelude Library, Concordia is now embarking on another exciting project: Piano Prelude Series. Like the Hymn Prelude Library, this collection will feature preludes on all the hymns of Lutheran Service Book, but this time for piano.